Friday, November 25, 2016

UFO - The Long Sleep (final episode)

The waters are awfully icy this morning. Col. Lake informs Straker that a ten-year-old case has just been reopened and asks if he would like to look into it personally. 'Asks' night not be the right word, more like 'taunts'...and then we learn why. The case involved a woman who had been hit by a car and sent into a coma. The man that hit her was Straker, and the woman has just woken up. The way Lake lets her boss know borders on cruelty. Straker has such a look of guilt on his face that he can't object.

Under the care of Dr. Jackson, Catherine Frazer rebuilds her memories of the accident and the circumstances that led to it. As a young woman she had just run away from her parents and spent the day with another youth she had just met, Tim Redman. Tim also was an escapee with nowhere to go, he running from academia. Together they wasted a day in an abandoned farmhouse. At night, Tim introduced her to drugs. While they were high, they encountered by chance a couple of aliens planting a device in the barn. What fun!

Imagine the poor aliens' bewilderment at these two crazed humans who steal the key to the device to play tag with, lead them on a merry chase to the roof, and then one of these mad terrestrials leaps off the roof to his own death. Imagine poor Tim, who thought he could fly.

Now imagine poor Catherine. She awakes the next day to see Tim's body dragged away by the aliens and witnesses the UFO fly away. She hitches a ride to return to the city only to have to flee the driver who tries to molest her. She runs right into the path of one Ed Straker.

It's Ed that Jackson calls in to help revive her memories (that's right, Jackson, the girl's state is fragile so call in Mr. Tact). She has no family now, her parents died waiting for her to recover.

Someone else is waiting. Tim was revived by the aliens ten years ago, programmed, and stationed as a sentinel to watch over Catherine. As long as it may take, they want that key.

Something about Cathy's tale has Ed spooked. In 1974, three days prior to colliding with Cathy, a UFO was spotted over Turkey. A few hours after that Turkey was rocked by an earthquake that killed 80,000 and leveled a city. (note - that places this episode as taking place in 1984, so it has now been four years since our introductory episode 'Identified'). Somehow Straker makes the leap: the UFOs destroyed the Turkish city, therefore they must have been about to do the same to rural England. (Really? Not, say, London?) Yes, it must have been a bomb! No, not the plan, I mean literally a bomb - and it's still there!

Indeed it is. A bomb, barely covered by loose soil hastily tossed ten years ago, in a farmhouse no one has set foot in for ten years, not even local kids looking for diversions. Yep. Not only that, the key is still on the houseboat it landed in, the boat that still sits on the same patch of river under the bridge Catherine threw it from. The chase is on because now Tim knows, and so does Straker. they both obtained the final lost memory with the use of an alien serum that sped up Catherine's heart rate as a side effect. Tim used it on her and carelessly left it behind. To stop him it must be used on her again. For once, Straker is unable to make the call that endangers a life, and the morally inscrutable Jackson is reluctant as well. It's Foster who insists. Turkey, 80,000 people dead...Straker put the fear into him. Ed, though...you'll remember the last time someone he was responsible for was in a hospital waiting for him to make a choice. Ed has come to care about Catherine.

We see Ed in the waiting room. it's a nicely understated callback to 'A Matter of Priorities' without exposition or otherwise being obvious. I like the direction of this episode very much, the work of Jeremy Summers who also directed The Psychobombs. The flashbacks scenes are in sepia, until that gives way directly to shifting bright color filters for the pharmaceutical high. It's an effective transition. The script is by the same David Tomblin who gave us The Cat With Ten Lives, Reflections in the Water, and three episodes of The Prisoner. Just what the aliens get from killing by the tens of thousands is unclear, but it doesn't exactly hurt their aims either. One might speculate that it throws nations into chaos as cover for the aliens to do their work. Real-world answer is likely the same fuzzy spec script communication that resulted in 'Destruction': they're aliens so they must want to kill us all (and who said anything about body harvesting?) You might wonder why the aliens don't simply send another key on the next UFO headed our way, as in 1974 SHADO was probably not up and running yet, but it may be a matter of resources - notice they left a human drone behind to deal with it instead of their own personnel. That's a minor matter. What counts is that this is the rare episode that lets us have a little backstory for our civilian characters, not much but enough to invest in them, get to like and root for them.

Alas, this is UFO so things come to a sad end. Tim accomplishes his task and essentially falls over dead. SHADO techs fail to disarm the bomb, so they employ a miniature rocket to send it into space. Returning to the hospital, Ed finds that Catherine died as Tim did: their life force spent. Catherine aged rapidly. Jackson doesn't have any answers but guesses that the aliens brought Tim back to life by stealing some of her life essence.

Tim and Catherine met, perhaps fell in love, and spent one glorious day together. They spent ten more years apart but locked together, and died still tied one to the other.

Lake's anger at Straker has vanished, replaced by empathy for his pain and for Catherine. Ed goes home alone.

10 'Century 21' logos. Even those thrilled me as a child, part of the ritual of watching every Sunday around noon like seeing the old UA symbol appearing before Bond flicks when they aired on the ABC Sunday Night Movie.

And so UFO comes to a close. Plans were shaping for a second season in which SHADO would expand their forces, the aliens would step up their fight, and much of the action would take place on and around the Moon. Unfortunately the show was dropped by ITC. Not ready to give up entirely, Gerry and Sylvia Anderson took what they had and created Space: 1999.

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